(Apuntes para el Coloquio Franco Andino de Filosofía: Redes y Filosofía) Primero, el statement obligado. Vengo de la arqueología y luego pasé a la antropología.…
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“After more than a hundred years of technological innovation, the digitization of music has inadvertently had the effect of emphasizing its social function. Not only do we still give friends copies of music that excites us, but increasingly we have come to value the social aspect of a live performance more than we used to. Music technology in some ways appears to have been on a trajectory in which the end result is that it will destroy and devalue itself. It will succeed completely when it self-destructs. The technology is useful and convenient, but it has, in the end, reduced its own value and increased the value of the things it has never been able to capture or reproduce.”
–
David Byrne in an excerpt from How Music Works.
Also see the origin and cultural evolution of silence.
(via explore-blog)
Deja un comentario«Many early pioneers reached gloomy conclusions. In the mid-1970s, Joseph Weizenbaum of MIT railed against depriving humans of their capacity to choose, even if computers could decide everything for us. For Weizenbaum, choosing and deciding were differ…
Deja un comentario«Many early pioneers reached gloomy conclusions. In the mid-1970s, Joseph Weizenbaum of MIT railed against depriving humans of their capacity to choose, even if computers could decide everything for us. For Weizenbaum, choosing and deciding were differ…
Deja un comentarioNo sé si alguien lo recuerde, pero los 31 de agosto se celebra el Blog Day (3108, Blog, una nerdez así). La idea aquí es…
Deja un comentarioDarwin had to put large cranial size down to sexual selection, arguing that women found brainy men sexy. But biomechanical factors make this untenable. I call this the smart biped paradox: once you are an upright ape, all natural selection pressures sh…
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